当我们谈论树的时候

　　苏利曼和“苏丹电影俱乐部”的别的三名成员决定重振一家旧影剧场。他们不但因为对电影的酷爱和对光复古电影存量、再次存眷苏丹电影汗青的狠恶巴望而连合在一路，并且因为他们都曾在放逐中担当过电影教育。不知倦怠地，他们试图让影院老板站在他们一边，让这个处所从头运作起来，但他们几次发现本身遭到了相昔时夜的阻力。同时，他们坐在一路批评过去——包含他们作为对峙艺术家蒙受毒害乃至熬煎的经历。他们还朗读避难和胡想苏丹时写的旧信，在那边艺术和智力脑筋可以自由。“我们比他们聪明，但不如他们强大，”他们齐截总结了他们的处境。恰是在这些简便的时候，不雅众才可以大年夜概感知到和睦，和在为配公道想而斗争中存在的纽带和意识形态的连合。　　苏哈伊布·加斯梅尔巴里把苏丹电影的汗青放在影片的中心，同时也揭示了一个遭到持续求助紧急影响的国度的近况　　Suliman and three further members of the ‘Sudanese Film Club’ have decided to revive an old cinema. They are united not only by their love of cinema and their passionate desire to restore old film stock and draw attention to Sudanese film history once more, but also by the fact that they have all enjoyed a film education in exile. Tirelessly, they try to get the cinema’s owners on their side and make the place operational again, but repeatedly find themselves up against considerable resistance. In the meantime, they sit together and talk about the past – including their experiences of persecution and even torture as oppositional artists. They also read out old letters written while in exile and dream of a Sudan in which art and intellectual thought can be free. ‘We are smarter than them, but not as strong,’ is how they unanimously summarise their situation. It is in laconic moments such as these that the viewer is able to perceive the friendship, as well as the bond and ideological solidarity that exists in the struggle for common ideals.　　Suhaib Gasmelbari puts the history of Sudanese cinema at the centre of his film and at the same time sheds light on the current situation in a country shaken by ongoing crises.